Clients Include:

Batteur magazine (France)
Cleveland Free Times
Cosplay Culture magazine

Close Up magazine (Sweden)
Decibel magazine
Drum! magazine
Drumhead magazine
Guitar Center
LA Weekly
Mayones guitars (Poland)
Modern Drummer magazine
Nuclear Blast Records
Outburn magazine
Prosthetic Records
Revolver magazine
Rolling Stone
Scene magazine
Tama Drums
Toontrack software (Sweden)
Victory Records


"Hannah's work is everything an editor hopes it will be: beautiful, innovative, engaging, and on time!"

- Ali Trachta, Editor - LA Weekly

 

"Her lustre prints documenting informal encounters on the margins of the music industry have a smoky, carnivalesque flair, like a voice-over by Tom Waits." 

- Douglas Max Utter, Scene Magazine

 

"Hannah has an excellent eye for composition, lighting and detail and an uncanny instinct for exactly when to shoot. Her concert photographs capture the spirit, energy and excitement of a live performance, her portraits reveal personality and demonstrate the comfort she instills in her subjects. And her candids and people photos illustrate the beauty of the human soul, whether playful and lighthearted or dark and brooding. Hannah's work proves that it's not just how photogenic a subject is that matters, but also how artistic, skilled and knowledgeable the artist behind the lens is."

- Jon Wiederhorn, co-author of the HarperCollins/ !t Books title "Louder than Hell: The Definitive History of Metal."

 

 

 

Sections

CLIENTS

Clients Include:

Batteur magazine (France)
Cleveland Free Times
Cosplay Culture magazine

Close Up magazine (Sweden)
Decibel magazine
Drum! magazine
Drumhead magazine
Guitar Center
LA Weekly
Mayones guitars (Poland)
Modern Drummer magazine
Nuclear Blast Records
Outburn magazine
Prosthetic Records
Revolver magazine
Rolling Stone
Scene magazine
Tama Drums
Toontrack software (Sweden)
Victory Records


"Hannah's work is everything an editor hopes it will be: beautiful, innovative, engaging, and on time!"

- Ali Trachta, Editor - LA Weekly

 

"Her lustre prints documenting informal encounters on the margins of the music industry have a smoky, carnivalesque flair, like a voice-over by Tom Waits." 

- Douglas Max Utter, Scene Magazine

 

"Hannah has an excellent eye for composition, lighting and detail and an uncanny instinct for exactly when to shoot. Her concert photographs capture the spirit, energy and excitement of a live performance, her portraits reveal personality and demonstrate the comfort she instills in her subjects. And her candids and people photos illustrate the beauty of the human soul, whether playful and lighthearted or dark and brooding. Hannah's work proves that it's not just how photogenic a subject is that matters, but also how artistic, skilled and knowledgeable the artist behind the lens is."

- Jon Wiederhorn, co-author of the HarperCollins/ !t Books title "Louder than Hell: The Definitive History of Metal."

 

 

 

Sections